Mary Mattingly is a visual artist. Currently, "Swale" is a floating food forest for New York. In 2015, she completed a two-part sculpture “Pull” for the International Havana Biennial with the Museo Nacional de Bellas Artes de la Habana and the Bronx Museum of the Arts. Mary Mattingly’s work has been exhibited at the International Center of Photography, the Seoul Art Center, the Brooklyn Museum, the New York Public Library, deCordova Museum and Sculpture Park, and the Palais de Tokyo. With the U.S. Department of State and Bronx Museum of the Arts she participated in the smARTpower project, traveling to Manila. In 2009 Mattingly founded the Waterpod Project, a barge-based public space and self-sufficient habitat that hosted over 200,000 visitors in New York. In 2014, an artist residency on the water called WetLand launched in Philadelphia. It is being utilized by the University of Pennsylvania’s Environmental Humanities program.

Mattingly has been awarded grants and fellowships from the James L. Knight Foundation, Eyebeam Center for Art and Technology, Yale University School of Art, the Harpo Foundation, NYFA, the Jerome Foundation, and the Art Matters Foundation. Her work has been featured in Aperture Magazine, Art in America, Artforum, Art+Auction, Art News, Sculpture Magazine, China Business News, The New York Times, New York Magazine, Financial Times, Le Monde Magazine, Metropolis Magazine, New Yorker, The Wall Street Journal, the Brooklyn Rail, the Village Voice, and on BBC News, MSNBC, Fox News, News 12, NPR, WNBC, New York 1, and on Art21's New York Close Up series. Her work has been included in books such as the Whitechapel/MIT Press Documents of Contemporary Art series titled “Nature” and edited by Jeffrey Kastner, Triple Canopy’s Speculations, the Future Is... published by Artbook, and Henry Sayre’s A World of Art, 8th edition, published by Pearson Education Inc.


2018: Pull, Des Moines Art Center, Des Moines, IA
Everything At Once, Boulder Public Art, CO
2016: Swale, NYC (ongoing)
Transforming a Military Trailer, MoMA's Cullman Center
WetLand, with the Parrish Museum, Sag Harbor, NY
Pull, Havana Biennial, Parque Central, Havana, Cuba
Wading Bridge, Des Moines Public Art Foundation Commission, Des Moines, IA
WetLand, with UPenn’s Environmental Humanities Department
Torus, ScotioNuitBlanche Commission, Toronto, Ontario Canada
NYC Department of Cultural Affairs, "Flock House" Percent for Art Commission, Staten Island NY
WetLand, Philadelphia, PA (Commission by FringeArts)
The Flock House Project Omaha with Bemis Center for the Arts, Curated by Amanda M. Crowley, Omaha, NE
2013: Triple Island, New York City, NY (Commission by Paths to Pier 42)
2012: The Flock House Project, New York City, NY (2012 - 2015) locations including Battery Park in Manhattan, the Bronx Museum of the Arts in the Bronx, 125 Maiden Lane in Manhattan, Seward Park in Manhattan, Pearl Street Triangle in Brooklyn, and Flushing Meadows Corona Park in Queens.
Green Papaya Art Projects, Manila, The Philippines, with U.S. Department of State
smARTpower and the Bronx Museum, “Wearable Portable Architecture”
2009: The Waterpod Project, New York City, NY
2005: Venice Biennial, Italy “Waterways” Independent initiative curated by Mary Mattingly, Renee Vara.
Istanbul Biennial, Turkey, “Waterways and Beyond,” curated by Mary Mattingly, Renee Vara.
2004: Art Basel Positions, Miami “Lifeboat” Artist Initiative curated by M. Mattingly, P. Middendorf.

2018: BRIC, Brooklyn, NY "What Happens After?"
Robert Mann Gallery, NY "Because for Now We Still Have Poetry"
Versailles Foundation, Monet’s Garden “I…I’ll go on”
Watkins School of Art “I… I’ll go on”
2016: Institute for the Humanities, University of Michigan, "Objects Unveiled: Boxing, Rolling, Stretching, and Cutting"
Museo Nacional de Bellas Artes de la Habana, Cuba, “Pull”
: Bemis Center for Contemporary Art, Curated by Amanda M. Crowley, Omaha, NE, “Mary Mattingly”
2013: Robert Mann Gallery, New York, “House and Universe”
2011: WINTEC, Hamilton, New Zealand, “The Island is also the Origin”
Lower Manhattan Cultural Council, “The Investigation, Constitution, and Formation of Flock House”
2010: Occurrence Espace d'art et d'essai Contemporains, Montreal “The Anatomy of Melancholy”
2009: Robert Mann Gallery, New York, NY, “Nomadographies”
2007: Galerie Adler, Frankfurt, Germany "Frontier"
New York Public Library, New York, NY, "Time Has Fallen Asleep"
2006: White Box, New York, NY, "Fore Cast"
Robert Mann Gallery, New York, NY, "Second Nature"

2018: The Harn Museum of Art, Ganisville, FL "The World to Come: Art in the Age of the Anthropocene"
The Arsenal in Central Park, "New York City Urban Field Station"
Wave Hill, Riverdale, NY "Ecological Consciousness"
Storm King, New Windsor, NY “Indicators: Artists on Climate Change” curated by Nora Lawrence
The 8th Floor, NY “Sedimentations” curated by Sara Reisman
OOKulturquartier, Linz, Austria “Water”

2017: Maryland Institute of Contemporary Art, Baltimore, MD "Land/Use"
Des Moines Art Center, Des Moines, IA “Wanderlust 2”
Malmo Public Art, Malmo Sweden “Agrilkutura” Curated by Amanda McDonald Crowley and Marek Walczak

The Parrish Museum, Watermill NY "Radical Seafaring" curated by Andrea Grover
The Anchorage Museum, Anchorage AK"Polar Lab" curated by Julie Decker
Appleton Museum of Art "Survival Architecture and the Art of Resilience" curated by Randy Rosenberg
University of Southern Florida Contemporary Art Museum, Tampa, FL "Extracted" curated by Megan Voeller
University of Buffalo Art Museum, Buffalo, NY "Wanderlust" curated by Rachel Adams
Nanjing International Art Exhibition, Nanjing, China "Scarcity and Supply" curated by Nathalie Boseul Shin

2015: Southeastern Center for Contemporary Art (SECCA), Winston Salem, NC "Collective Actions"
Schuylkill Center for Environmental Education, Philadelphia, PA “WetLand”
University Art Museum, University of California Long Beach “Consumed”

2014: Artisteria, Literature Museum, Tbilisi, Republic of Georgia curated by Magda Guruli, Lydia Matthews
The Brooklyn Museum, NY “Crossing Brooklyn” curated by Eugenie Tsai and Rujeko Hockley
San Diego Art Institute, “Beyond Limits” curated by Ginger Shulick Porcella and Denise Carvalho
The Pitch Project, "Performing for Cyclops" Milwaukee, WI
CAFKA Biennial, “It Should Always Be This Way” Canada
The Kitchen, New York, NY “A Common Space” The Whitney ISP Curatorial Exhibition
Flanders Gallery, Raleigh, NC, “On Land” a two-person exhibition with Greg Lindquist
Elizabeth Foundation for the Arts, “Distant Images, Local Positions” curated by Waafa Bilal

: Proof Gallery, "All of our Tomorrows and Yesterdays" curated by Scott Patrick Wiener
St. John’s University, “Silent Beaches: New York’s Forgotten Waterfront” curated by Elizabeth Albert
Boston University, "System ECOnomies" curated by Lynne Cooney and Dana Clancy
Bronx River Art Center, "From Process to Progress: Mary Mattingly and Michael Cataldi”

: Rowan University, “Common Interests” curated by Sara Reisman
The University of Arizona Museum of Art, "Broken Desert - Land and Sea" curated by Lauren Rabb
Laumeier Sculpture Park, “Camp Out: Finding Home in an Unstable World”
Salina Art Center, Kansas, “Streams of Consciousness: Histories, Mythologies, and Ecologies of Water”
Eyebeam Center for Art and Technology, New York, “Surface Tension”
Bennington College, “Resilience and Resistance”
Maryland Institute College of Art, Baltimore, MD, “Under Cover”

: Lianzhou Foto 2011, Lianzhou, China, "The Social Landscape" November
Arko Art Center, Seoul, South Korea , "Labour of Love " curated by Nathalie Boseul Shin
deCordova Museum, “Temporary Structures: Performing Architecture in Contemporary Art”
Flanders Gallery, North Carolina, “After Destiny” curated by Greg Lindquist
Woodstock Artist Guild, NY, “Medium and the Message” curated by Jimi Billingsley
Seoul Art Center, South Korea, “Imagine Earth”
BRIC Rotunda, “Water, Water Every Where”
Arlington Arts Center, “On the Road”

: Occurrence Espace d'art et d'essai Contemporains, Montreal "Dans l'archipel du Waterpod"
DePaul University Art Museum, "The Nomadic Studio"
Smack Mellon, "Condensations of the Social" curated by Sara Reisman
Stephan Stoyanov Gallery, “Future Tense: Landscape in Transition”
Exit Art, “Global/National, The Order of Chaos”
University of Buffalo, “Precious Cargo,” curated by Paul Sargent
The Kelly Writers House, University of Pennsylvania, “Synaptic Mimes: the Private Spectacular”
Exit Art Underground, “Waterpod: Autonomy and Ecology”

: Culturel Calouste Gulbenkian, Paris, France, “Au Feminin”
Tucson Museum of Art, AZ "Trouble in Paradise: Examining Discord Between Nature and Society"
Eindhoven University of Technology, “Water,” Prix Pictet
Thessaloniki Museum of Photography, “Water - Currents,” Prix Pictet
Dubai International Financial Centre (DIFC)
Palais de Tokyo, Paris, France. "Prix Pictet"

: s t a n d p o i n t, London, UK. "Mie Kjaergaard and Mary Mattingly"
Neuberger Museum of Art, NY "Future Tense, Reshaping the Landscape"
Video Visionen, O eins, Edith Russ Site for Media Art, Oldenburg, Germany

: Sonoma County Museum, Santa Rosa, CA, "Ecocentric"
MOAB, Curated by Christy Gast, Tourist Information Television Station, UT, CA
Mattatuck Museum, "Other Worlds"
Robert Mann Gallery, "Epilogues"
Art Omi, "Bivouac" curated by Maximillion Goldfarb

: International Center for Photography, Triennial “Ecotopia”

: RAM Gallerie/Foundation, Rotterdam “Small Works”
The New York Hall of Sciences, NY “Tomorrow”
Hudson Valley Center for Contemporary Art “69 ChevyChevy Bang Bang”
Rare Gallery, New York, NY "Nineteeneighty - Art Show”
RAM Gallerie/Foundation, Rotterdam “Transforming Home”
Lyons Wier Gallery, New York, NY “Controlled Chaos”
Pamela Auchincloss Project Space, NY curated Koan-Jeff Bayista “War Face”

Boetzkes, Amanda, Climate Realism edited by Lynn Badia, Marija Cetinic and Jeff Diamanti, Routledge Press, 2019.
Muller, Ellen, Elements and Principles of 4D Art and Design, Oxford University Press, 2016.
Sayre, Henry. A World of Art, 8th edition, Pearson Education Inc. and Lawrence King Publishing, 2015.
Davis, Heather and Etienne Turpin, Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies Open Humanities Press, 2015
Speculations ("The future is ______"), Triple Canopy, 2015
Michaels, Maria, Media Art and the Urban Environment: Engendering Public Engagement with Urban Ecology, Springer-Verlag, 2015
Tsai, Eugenie and Rujeko Hockley. Crossing Brooklyn, Brooklyn Museum, NY, 2014
Common Spaces, The Whitney ISP, The Whitney Museum, NY, 2014
Goldfarb, Maximilian and Matt Bua. Drawing Building, Lawrence King, 2012
Kastner, Jeffrey, Nature, Documents of Contemporary Art Series, Whitechapel/MIT Press, 2012
Knode, Marilu and Dana Turkovic, Camp Out: Finding Home in an Unstable World Laumeier Sculpture Park
Sullivan, Lexi Lee, Temporary Structures, deCordova Museum and Sculpture Park, 2012
Bogre, Michelle, Photography as Activism: Images for Social Change, Focal Press, 2012
R. Klanten, S. Ehmann, K. Bolhöfer, My Green City, Gestalten, 2011
Water, Prix Pictet, teNeuse, 2009
Au Feminin, Centre Culturel Calouste Gulbenkian, Paris, 2008
Trouble in Paradise, Tucson Museum of Art, 2008
Wallis, Brian, Edward Earle, Christopher Phillips, Carol Squires. Ed. Joanna Lehan Ecotopia ICP/Steidl 2006

Ilana Novick “Taking Apart the War Machine to See What’s Inside” Hyperallergic
Jillian Steinhauer, “Mary Mattingly” New York Times
Louis Bury, “Mary Mattingly’s Poetry of Things” Hyperallergic
Mara Silvers, “This Harvest Season Check Out Concrete Plant Park” NPR

2017: DANIEL McDERMON, "Storm King Show to Focus on Climate Change" New York Times
Kevin West "Will Work With Food" Surface Magazine
"New York's Floating Food Forest" CNN Going Green
"A Floating Food Forest" BBC World News
Karen Matthews, "Food is Free For the Taking" Associated Press: Washington Post/NYTimes/Seattle Times
Alexandria Levine, "A Forest Floats on the Bronx River With Free Produce" New York Times
Shumita Basu "A Garden is Bobbing off the Banks of Brooklyn" NPR
Swale, NBC | The Verge | Lonely Planet
Madeline Raynor, "A Floating, Functioning Vegetable Garde, Docked off New York City" SLATE
Swale, Voice of America
Nikki Ekstein "With Floating Farm, New York Looks to the Future of Floating Parks" Bloomberg
Jennifer Picht "Everything You Need to Know about New York's Amazing Floating Park" Time Out New York
Chris Sercio "You Can Pick Food Freely From a Floating New York City Forest That Smells Like Chocolate" ABC
Jordi Lippe-McGraw "The Swale Floating Food Forest is Coming to New York City" Conde Nast Traveler
Trisha Ping "City-Dwellers Can Forage... as the Big Apple's Floating Food Forest Returns" The Lonely Planet
Kelsey Kennedy, This Floating Food Forest is the Only Place to Forage For Food in New York City, Atlas Obscura
Natalie O'neill "New York's Mad Scientists Could Literally Change Our World" New York Post

2016: Jillian Steinhauer, "A Floating, Urban Forest Where Food is Free" Hyperallergic
Eillie Anzalotti, "An Urban Food Forest Takes to the Waterways" The Atlantic
Alex Orlov, "A Look Inside NYC's Floating Food Forest, Where You Can Pick Free Kale, Berries, and More" Mic
Michael McCanne, "Movable Feast: Mary Mattingly's Floating Garden" Art in America
Susan Delson, "An Artist Floats an Edible Forest" The Wall Street Journal
"This Floating Food Forest Barge Is Nourishing Communities for Free" Huffington Post
Swale, Bronx12 Swale, NY1
Imogen Rowland, "The Floating Forest" Ronda
Swale, NBC
Swale, CBS
Swale, BBC
Swale, Reuters
Kristine Wong "Swale" Stanford Social Innovation Review, CA
Wendy Vogel "Inside a Floating Eco-Conscious Art Project" New York Times
Ryan Steadman "Don't Be Surprised to see a Floating Garden in NYC's Harbor" New York Observer
Wendy Joan Biddlecombe "Floating Food Forest to Move Through the NY Harbor" Metro New York
Erin Blakemore "New York's Newest Urban Farm Floats" The Smithsonian

2015: Wilson Tarbox, "The Story of an Installation in a Polluted River and Its Removal" Hyperallergic
Allison Meier, "Mobile Food Forest to Float the NYC Waterways in Spring 2016" Hyperallergic
Wendy Joan Biddlecombe, "Floating Food Forest Expected to Move Through New York" Metro New York
Michael Morain, "Rushing river delays plans for Water Works foot-bridge" The Des Moines Register
Holland Cotter, "The Havana Biennial is Running at Full Throttle" New York Times
"Havana Biennial" Public Radio International
"The Bronx and Havana Together For the Arts" The Latin American Art Journal
Leslie Kaufman, Review, WetLand, Sculpture Magazine
Michael Morain, A Ripple Effect, Des Moines Register
Scott Simon, As U.S. Reengages With Cuba, Art Museums Make a Trade, National Public Radio
Lorena Munoz-Alonso, Bronx Museum Teams up with Cuba, Artnet
Carolina Miranda, Arts have been vital U.S.-Cuba link; the thaw will make them better, LA Times
Bruce Chapman, Floating World Sculpture by Mary Mattingly, Winston-Salem Journal

2014: Fringe Festival and Ecology, The New York Times
Ben Brantley "Facing Up to Threats of Nature," The New York Times
"Working Wet Down By the River," The Philadelphia Inquirer
WetLand, Philadelphia Weekly
WetLand, Philly Mag
"Art Meets Ecosystem During Events on WetLand,"
WetLand, Philadelphia City Paper
E, "WetLand" NPR's WHYY
Holland Cotter, "Common Spaces," New York Times
"The Flock House Project," National Public Radio Omaha
Justin Pazera, "The Flock House Project," Action 3 News KWTV
Martha Schwendener,"A Critic's Picks in Brooklyn, An Embattled Utopia," New York Times
Eleanor Heartney, “Art for the Anthropocene Era” Art in America
Sabrina DeTurk, "Distant Images, Local Positions," Afterimage
Alison Schweichler, “Many groups are working to effect positive change,” Buffalo News
Colin Dabkowski “‘Performing Economies’ conference rethinks Buffalo’s development through art,” Buffalo News
Jack Foran, “Performing Economies Colloquium,” ArtVoice
Julie Chea, “Duke Energy, Greg Lindquist and Mary Mattingly,” Huffington Post
“Mary Mattingly: Flock House Project Omaha: A Citywide Workshop,” NPR
"The Flock House Project Sets Up in Old Market and North Omaha," Action 3 News KWTV
Michael J. Krainak, “Catch the Hubbub at Bemis ‘Flock House: Omaha’” The Reader

2013: Kareem Estefan, "Mary Mattingly," Art in America
Mary Mattingly on Alan Sekula, Art in America
Johanna Ruth Epstein, "Mary Mattingly," ArtNews
Colby Chamberlain, "Mary Mattingly," Artforum
Vince Aletti, "Mary Mattingly," The New Yorker
Martha Schwendener, "Mary Mattingly: House and Universe," New York Times
The Lookout, "Mary Mattingly," Art in America
Susan Silas, "A Bag Lady By Any Other Name," Hyperallergic
David A. Willis, "At Home in the World," ArtSlant
"Why Mary Mattingly Would Make the Perfect Companion, Post Apocalypse," Artsy
Noor Brara, "The Weight of Mary Mattingly's World," Interview Magazine
Jon Beer and Lily Olive, "Mary Mattingly," Art-Rated
Greg Lindquist, "Descending into the Abyss with Double Negative" The Brooklyn Rail
"New Pier 42 Project Hooks People with Art and Fishing" The Villager
"Paths to Pier 42," Urban Omnibus
Interview with Greg Lindquist , "The Life of Objects," Art in
Museums and Galleries, "Process and Progress," New York Times
Skyler Reid, "From Trash to Treasure," Mott Haven Hearald

2012: Aengus Anderson, "Episode 40: Mary Mattingly," The Conversation
Margaret Regan, "Scorched Earth," Tucson Weekly
Miguel Miranda, "The Extremophile," China Business News
Marika B. Constantino, "Shelter Me," Philippine Star
Filipina Lippi, "Mattingly's Wearable and Portable Architecture," The Manila Bulletin
Tito Genova Valiente, "Wearing Art, Moving Art: Mary Mattingly's Social-scientific Vision,"
Business Mirror Philippines
"US Cultural Ambassador to Initiate Public Art Project," The Manila TImes
Tom Lesser, "Interview with Mary Mattingly," Radical Cosmologies
Hilary Howard, "Serious Artists Plan Whimsy in the Sand," The New York Times
"Photography Shows and Discussions in the Parks," The New York Times
Nick Miller, "Flock Houses Land in New York's Public Spaces," The Architect's Newspaper
"The Flock House Project in the Bronx," News 12
Martha Schwendener, "Contempo Boat Artists Float Their Ideas," The Village Voice
Wendy Vogel, “Nature,” The Brooklyn Rail
“Is Newness Still New?” The Brooklyn Rail
Fox News, "Flock Houses Appear in NYC"
Janet Upadhye, "Artist Lives in Futuristic Pod for Flock House," DNA Info
"The Flock House Project, Brooklyn," News 12
"'The Flock House Project' To New York City" Huffington Post
Andy Cush, "My Evening In Battery Park’s $960-Per-Square-Foot Art Project," Animal New York
"Events: The Flock House Project," CBS News
"Join Artist Mary Mattingly’s Latest Sustainable Floating Commune, the Flock House Project," Art + Auction
Laura Elizabeth Barone, “Camp Out: Finding Home in an Unstable World at Laumeier
Sculpture Park,” Temporary Art Review
Diane Toroian Keaggy, Give me shelter: Laumeier's 'Camp Out' looks at what makes a home,”
St. Louis Post
Riverfront Times News, “In the Galleries - Camp Out: Finding Home in an Unstable World”
Sarah Flagg, “New Laumeier Exhibit Explores Home in Unique Ways” Sunset-Hills Crestwood
Sheilah Kast, "Under Cover: Maryland Morning," WYPR Radio
Andrew Zaleski, "Take Cover: Under Cover, at MICA's Decker Gallery" Baltimore Urbanite
Andrea Appleton, "Under Cover at MICA’s Decker Gallery, Baltimore City Paper
Madeleine O’Dea, "With Documentary Focus, China's Lianzhou Foto Spotlights the Marginalized" Artinfo

2011: Brian Boucher, "Team America - Artists as Cultural Ambassadors," Art in America
"Mapping," Conveyor Magazine
Emily Costello, "deCordova Group Show Redefines Architecture," Lincoln Journal
Chris Bergeron, "deCordova Exhibit Encourages Visitors to Interact With Art," The Milford Daily News
Claire Ross, "The Investigation, Constitution, and Formation of Flock House," Urban Omnibus
Louise Risk, “Mary Mattingly, The Island is also The Origin” Waikato Times
The Arts On Sunday with Lynn Freeman, National Radio New Zealand
Amy White, "New American Landscapes at Flanders," The Indy Week
“After Destiny,” The New Raleigh
CAFKA TV, "Big Ideas in Art and Culture," CAFKA and Musagetes
Shane Danaher, "Interview with Mary Mattingly," Rough Copy
Eva Diaz, "Dome Culture in the Twenty-first Century," Grey Room
Kathryn Yuoeff, "Climate Change and the Imagination," WIREs
Nadine Comeau, “Mary Mattingly,” Dialect Magazine

2010: Claire Barliant, “Mary Mattingly: Safe,” Icon Magazine
Ovation TV, “Collective Intelligence,” Ovation TV
“Islands,” Cabinet Magazine, insert
Luigi Amara, “For an Unsustainable Art,” Fahrenheit Contemporary Art
Martha Schwendener, “Smack Mellon Hosts Condensations of the Social,” Village Voice
“A Utopian Barge,” Colors Magazine
Stephen Brown, “Spend a Night Sleeping With An Artist,” The Brooklyn Paper

2009: Robin Michals, “Facing the Meltdown,” Afterimage
“20 in 10, Here are the Ones to Watch Next Year,” Brooklyn Paper
Allison Lind, “Air Ship Air City: Sustainable Home Will Float in the Clouds,” Yahoo! News
Melena Ryzik, “The Waterpod Artist Heads for the Roof,” New York Times Arts Beat
Stephen Brown, "Is This Brooklyn's Craziest Crib?" Brooklyn Paper
"The Waterpod Project," Sculpture Magazine
Christopher Turner, “A Floating Island of Sustainability,” Nature Magazine
Martin Phillips, “New Yorker Creates a Human Habitat on a Barge,” Voice of America
Alyssa Danigelis, “Eating From the Future,” Discovery Channel
Judith West, “Mary Mattingly,” Getting Your Money's Worth NYC
Sunday Times Style, London, UK
Cat Greenleaf “Artists at Sea,” WNBC
Douglas Kelley, “Mary Mattingly on the Waterpod,” Douglas Kelley Show
Douglas Rushkoff, “Interview with Mary Mattingly,” The Media Squat, WFMU
Events, “Waterpod Project,” Time Out New York
Heather Alexander, “Waterpod to Combat Rising Seas,” BBC News
Ben Johnson, “13 Hours Onboard Waterpod,” Staten Island Advance
Tara Lynn Wagner, “Waterpod Brings Green Sea Living To S.I.”, NY1 News
Brian Williams, “Mary Mattingly on the Waterpod,” MSNBC
James P Yates, “Floating Ideas,” Staten Island Advance
Melena Ryzik, “Life and Art, Afloat on a Barge in the New York Harbor,” New York Times
Robert Voris, "This Barge Makes Global Warming Look Cool," Brooklyn Paper
“Perfect Weekend,” Time Out New York
Steven Kurutz, “A Fluid Definition of Self Sufficiency,” New York Times
Kelly Loudenberg, Waterpod Interview Documentary
Janel Bladow, “Mary Mattingly,” Downtown Express Seaport Report
Anne Craig, “Anne on the Waterpod,” Fox 5 News
Elizabeth Lazarowitz, Waterpod, Daily News
Waterpod, the Floating Biosphere, Readies for Launch, Gothamist
Alyssa Danigelis, The Waterpod Project, Discovery News
Shakthi Jothianandan, The Waterpod, Time Out New York
Karen Rosenberg, “Mary Mattingly, Nomadographies,” New York Times
Vince Aletti, “Mary Mattingly,” Goings On About Town, The New Yorker
“Nomadographies,” Datensklaven
Lauren O’neill-Butler, “Mary Mattingly,” ArtForum, 500 Words
“Mary Mattingly, Nomadographies,” Actuo Photo

2008: Eric Shriner, “Young Bloods: Young Artists That You Need to Know,” CITY Magazine
“Le Prix Pictet & le développement durable / Nouvelle distinction pour les photographes,”
Photographie Magazine
“Prix Pictet Shortlist Winners,” Financial Times
"Vision d'artiste Apres le Deluge," VSD Magazine
Benjamin Genocchio, "Today's Landscapes, Tomorrow's Dystopia," New York Times
“Earth Bytes: Engaging Dystopia,” Sun Valley Plum

2007: “Gundel-Maria Busse, Schon Und Schrecklich,” Main Echo
“Von Sylvia Staude, Holt Uns Endlich Ab,” Frankfurter Rundschau
"Faut-Il Climatiser La Terre?" Cover and story, Le Monde Magazine, France
Ecology:Communication with Nature", InterCommunication Magazine, Japan
"Frontier, Mary Mattingly", Drome Magazine, Italy
Miranda Sharp, “Work by Mary Mattingly,” C-Photo Magazine
Stephen Vincent Kobasa, “Stranger Than Truth," New Haven Advocate
Cover story by Jackie Delematre, “Gimme Shelter,” New York Press
"Photography in New York," Japanese Esquire Magazine

2006: Rachel Wolff, “An Inconvenient Half-Truth,” New York Magazine
Brigid Hughes, “A Solution to an Inconvenient Truth,” A Public Space
“Ecotopia,” Aperture
Martha Schwendener, “Mary Mattingly at Robert Mann Gallery,” ArtForum
Eric Gelber, “Mary Mattingly at Robert Mann Gallery,”
"Second Nature at Robert Mann Gallery," The New York Sun

2005: “Shows of Note – We Go Round and Round in the Night,” The Orgonian
Review, “We Go Round and Round in the Night,” The Portland Mercury
Cover and article, “Mary Mattingly,” Photography Quarterly

2003: Stephen Perloff, “Photographic Winners,” The Photo Review
“Photographers of the Year Award,” Photo District News
Vince Alletti. “Mary Mattingly, The Stage,” Village Voice
Tyler Green, "From the NYC Gallery Scene,”

The Versailles Foundation Residency at Monet's Garden, Giverny, FR
2016: The Watermill Center Residency, Watermill, NY
2015: A Blade of Grass Fellowship, New York, NY
: Light Work Residency Program, Syracuse, NY
The Lower Manhattan Cultural Council President’s Award for Visual Art
2013: The James L. Knight Foundation Grant
2012 : Eyebeam Center for Art and Technology Fellowship
smARTpower, Artist Ambassador to the Philippines, Bronx Museum and U.S. Department of State
2011: Harpo Foundation Grant
The Jerome Foundation Travel Grant
New York Foundation for the Arts Sculpture Grant
Art Omi Artist-In-Residence, Ghent, NY
2010: Art Matters Foundation Travel Grant
Marie Walsh Sharpe Art Foundation Year-Long Studio Residency
2008: New York University Artist-In-Residence
Lower Manhattan Cultural Council Workspace Residency
2007: Braziers International Artist Residency, Oxfordshire, England
2005: Experimental TV. Center, New York, 2005

Art in America, Allan Sekula by Mary Mattingly,
The Brooklyn Rail, Anna Mendieta: Traces book review by Mary Mattingly
A Blade of Grass, Difference not Indifference by Mary Mattingly
Art Haps, Notes on Photography, Edward Burtynsky, and Ending Neutrality by Mary Mattingly

2016: Yale University School of Art, MFA Faculty – Core Critic
Pratt Institute, MFA Faculty – Professor
2015: Rutgers University, Camden Campus, Undergraduate Professor of Art and Urban Sustainability
Pratt Institute, MFA Faculty – Professor
2014: The Cooper Union for the Advancement of Science and Art, Undergraduate Professor of Photography
ICP/Bard, MFA Professor of Photography

2016: Yale University School of Art, CT
Penny Stamps, University of Michigan, MI
Purchase College, NY
University of Oxford, UK
College Art Association, Washington DC
A Blade of Grass, New York, NY
Alaska Design Forum, Anchorage Museum, AK
Alaska Design Forum, Fairbanks and Juneau, AK
Light Work, Syracuse University, Syracuse, NY

2015: Pratt Institute, Brooklyn, NY
Parsons School of Design, New York, NY
AIPAD, New York, NY with Wesley Miller
Rutgers University, Camden, NJ
Philadelphia Sculptors Guild, Philadelphia, PA
Democracy Alliance, San Francisco, CA
Rutgers University with Elizabeth Demaray, NJ

2014: University of Maine, Orono ME
Anchorage Museum, Anchorage AK
The Institute of the North, Nome and Barrow, AK
Rutgers University with Elizabeth Demaray, NJ
Fairfield University, Fairfield, CT
University of Toronto, Toronto, Canada
Harvard University Graduate School of Education “The Future of Learning” with Jess Hamlin
Art21, New York, NY
Burro Happold Offices with Lower Manhattan Cultural Council
Rhode Island School of Design with Brian House, Providence, RI
University of Buffalo, “Performing Economies” Buffalo, NY
Flanders Gallery with Marshall Price and Greg Lindquist, Raleigh, NC
UNC Greensboro and UNC Pembroke
University of Illinois, Ubrana, IL

2013: MoMA PS1 with Triple Canopy, Queens, NY
University of Buffalo Emerging Practices, Buffalo NY
Art21, New York, NY
The Bronx Museum of the Arts with smARTpower, Bronx, NY

2012: Nurture Art, Brooklyn, NY
Pacific Northwest College of Art, Portland, OR
98B, Manila, The Philippines, Manila, The Philippines
University of the Philippines, Manila, The Philippines
The Bronx Museum of the Arts
The Queens Museum of Art
Bennington College, Bennington, VT
Eyebeam Center for Art and Technology, New York, NY
The New School, UNFOLD, A Cultural Response to Climate Change, New York, NY

2011: Columbia College, Chicago, IL
CalArts, Los Angeles, CA
deCordova Sculpture Park, Lincoln, MA
WINTEC, SPARK, International Festival of Media, Arts, and Design, Hamilton, New Zealand
Yale University School of Art, Norfolk, CT
Department of Environmental Conservation, Brooklyn, NY
Brandeis University, Boston, MA
Big Ideas in Art & Culture Lecture Series, with Contemporary Art Forum Kitchener and Area, CANADA

2010: DePaul University Museum, Chicago, IL
M.I.T. Senseable Cities Lab, Cambridge, MA
University of North Texas, Fluid Frontier Symposium
New School University, New York, NY

2009: Museum of Modern Art, Cullman Center, New York, NY
Syracuse University, Syracuse, NY
New York University, New York, NY
Vancouver CAC, Vancouver, Canada
Cornell University, New York, NY
Terreform, Brooklyn, NY

2007: Artist talk, New York Public Library, New York, NY
Panel discussion on Art and Politics, The Canal Chapter, New York, NY
International Center of Photography

Yale University, CT
Portland Art Museum, OR
Museo Nacional de Bellas Artes de La Habana, Cuba
The Bronx Museum of the Arts, Bronx, NY
Deutsche Bank, Germany
International Center of Photography, NY
Stanford University, Stanford, CA
Art Omi, NY
Light Work, Syracuse NY
Skowhegan School of Painting and Sculpture, New York, NY
DePaul University Museum of Art, Chicago, Il
Friends of Photography, NY
Rose Goldsen Archive, Cornell University
The Richard Massey Foundation for Arts and Sciences, NY
deCordova Museum, Lincoln, MA