Mary Mattingly is a New York-based interdisciplinary artist and 2023 Guggenheim Fellow whose work spans large-scale public sculpture, ecological installation, and collage-based photography.
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Salt-tolerant edible plants at Ebb of a Spring Tide at Socrates Sculpture Park in New York
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Ebb of a Spring Tide's Water Clock overlooking Manhattan
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Vessels in the Water Clock keeping "tidal time"
Art is everything. It's love and it's longing, it slows time and asks people to dream.
Floating Garden is the next chapter of Swale, launching on the Erie Canal, June 6,2026.
Help support public art: a floating food forest for public foraging, hands-on learning, and climate resilience. Free and open to the public. Launching on the Erie Canal June 6, 2026.
In New York City, foraging from public land has been off-limits for over a century. Swale was a floating food forest built collectively in New York City. People could pick fresh food for free. Swale led to NYC's first 24-hour Foodway at Concrete Plant Park in the South Bronx, and was a proof-of-concept for a more permanent floating food forest with perennial fruits, vegetables, herbs and medicinal plants.
"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." ― Kōbō Abe, The Woman in the Dunes
Limnal Lacrimosa (of lakes, tears) was a water clock that encompassed a building in the valley of Glacier National Park. It utilized glacial loss to tell time for nine months until the clock ran dry. Water dripped from the building's top to bottom floors, filling vessels that would overflow and cycle back up to the top floor. In one room, people brought their own vessels that collected drips and contribute to the building's soundscape.
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"Last Light/First Light" seriesLast Light/First Light began on the West Coast of the United States. Serving as documentation of light and time, this series is the result of repeating an action each year. I create a double exposure on the shortest day of the year.
Photography and Dreams
"...The tides, when the Moon swung closer, rose so high nobody could hold them back. There were nights when the Moon was full and very, very low, and the tide was so high that the Moon missed a ducking in the sea by a hair's breadth; well, let's say a few yards anyway. Climb up on the Moon? Of course we did..."
― Italo Calvino, The Distance of the Moon
In 2022, I began making Salt Forms, sculptures that developed like photographs and read like tidal maps. I soaked steel in ocean water from New York's harbor and water collected in Santa Fe, New Mexico. I would then photograph them at different stages in their transformation.
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Desire Lines, from the Pipelines and Permafrost series
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Rematriation, from the Pipelines and Permafrost series
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Retreat and Advance, from the Pipelines and Permafrost series
Bundles
In a personal project I began in 2013, I bundled belongings into sculptural forms to highlight my own consumption in a more iconic form. I utilized the bundles for absurd performances about personal consumption. At a certain point, I had bundled most of my possessions.
For now there is still poetry
"Among the pieces, trembling softly but perceptibly, like a sleeping bird, there throbbed, mysteriously, a compass." ― Jorge Luis Borges, Tlön, Uqbar, Orbis Tertius
Photographs can depict both the intimate and the infinite. They inspire wonder and possibilities and reveal new questions.
Mailing list:
Mary is represented by Robert Mann Gallery in New York City.
For inquiries, exhibitions, or commissions, please email daniel @ robertmann.com