Mary Mattingly is a New York-based interdisciplinary artist and 2023 Guggenheim Fellow whose work spans large-scale public sculpture, ecological installation, and collage-based photography.
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Salt-tolerant edible plants at Ebb of a Spring Tide at Socrates Sculpture Park in New York
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Ebb of a Spring Tide's Water Clock overlooking Manhattan
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Vessels in the Water Clock keeping "tidal time"
Art is everything. It's love and it's longing, it slows time and asks people to dream.
Floating Garden
is the next chapter of Swale, launching on the Erie Canal, June 6,2026 with the Medina Triennial.
Free and open to the public. Launching on the Erie Canal June 6, 2026.
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"Night Gardens" seriesNight Gardens is a series of photographic collages that explores the garden as a site of myth, memory, adaptation, and ecological change. Layering photographs and drawings of plants, photographing inside aquariums, making fabric and cut-paper flowers, the works conjure speculative landscapes where cultivated flora, wild growth, and climate-shifted ecosystems overlap.
"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." ― Kōbō Abe, The Woman in the Dunes
Limnal Lacrimosa (of lakes, tears) was a water clock that encompassed a building in the valley of Glacier National Park. It utilized glacial loss to tell time for nine months until the clock ran dry. Water dripped from the building's top to bottom floors, filling vessels that would overflow and cycle back up to the top floor. In one room, people brought their own vessels that collected drips and contribute to the building's soundscape.
In New York City, foraging from public land has been off-limits for over a century. Swale was a floating food forest built collectively in New York City. People could pick fresh food for free. Swale led to NYC's first 24-hour Foodway at Concrete Plant Park in the South Bronx, and was a proof-of-concept for a more permanent floating food forest with perennial fruits, vegetables, herbs and medicinal plants.
Photography and Dreams
"...The tides, when the Moon swung closer, rose so high nobody could hold them back. There were nights when the Moon was full and very, very low, and the tide was so high that the Moon missed a ducking in the sea by a hair's breadth; well, let's say a few yards anyway. Climb up on the Moon? Of course we did..."
― Italo Calvino, The Distance of the Moon
In 2022, Mattingly began making Salt Forms, sculptures that developed like photographs and read like tidal maps. She soaked steel in ocean water from New York's harbor and water collected in Santa Fe, New Mexico. She then photographed them at different stages in their transformation.
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Desire Lines, from the Pipelines and Permafrost series
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Rematriation, from the Pipelines and Permafrost series
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Retreat and Advance, from the Pipelines and Permafrost series
Bundles
In a personal project, Mattingly bundled her belongings into sculptural forms to highlight her own consumption in a more iconic form. She utilized the bundles for absurd performances about personal consumption.
For now there is still poetry
"Among the pieces, trembling softly but perceptibly, like a sleeping bird, there throbbed, mysteriously, a compass." ― Jorge Luis Borges, Tlön, Uqbar, Orbis Tertius
Photographs can depict both the intimate and the infinite. They inspire wonder and possibilities and reveal new questions.
Selected Exhibitions
Brooklyn Museum • Storm King Art Center • Palais de Tokyo • Barbican • BRIC Arts Media • Museo Nacional de Bellas Artes da la Habana • Smart Museum of Art • International Center of Photography • Cuenca Biennial
Mary is represented by Robert Mann Gallery in New York City.
For inquiries, exhibitions, or commissions, please email daniel @ robertmann.com