Artist Mary Mattingly is best known for large-scale sculptures of ecosystems and imagined futures. Mary Mattingly creates photographic collages and public sculptures of imaginary futures like Limnal Lacrimosa (of Lakes, Tears) in Montana; Vanishing Point in the UK; and Swale, a floating food forest in New York. Mattingly was awarded a 2023 Guggenheim fellowship. Her sculpture, Ebb of a Spring Tide, opened in May 2023 at Socrates Sculpture Park.
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Salt-tolerant edible plants at Ebb of a Spring Tide at Socrates Sculpture Park in New York
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Ebb of a Spring Tide's Water Clock overlooking Manhattan
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Vessels in the Water Clock keeping "tidal time"
Art is everything. It's love and it's longing, it slows time and asks people to dream.
Transformation
Public art challenges perceptions of the present and motivates people to engage, while contributing to what can become a collective reimagining.
"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." ― Kōbō Abe, The Woman in the Dunes
Limnal Lacrimosa (of lakes, tears) was a large-scale water clock in the valley of Glacier National Park. It utilized glacial precipitation to tell time for nine months until the clock finally ran dry. Water dripped from the building's top to bottom floors, filling vessels that would overflow and cycle back up to the top floor. While building Limnal Lacrimosa I thought of the Kōbō Abe novel, The Woman in the Dunes. In one room, people brought their own vessels to collect drips and contribute to the building's soundscape.
In New York City, foraging from public land has been off-limits for over a century. Swale was a floating food forest built collectively in New York City. People could pick fresh food for free. Swale led to NYC's first 24-hour Foodway at Concrete Plant Park in the South Bronx, and was a proof-of-concept for a more permanent floating food forest with perennial fruits, vegetables, herbs and medicinal plants.
Bundles
In a personal project I began in 2013, I bundled belongings into sculptural forms to highlight my own more iconic. I utilized the bundles for absurd performances about my own consumption. At a certain point, I had bundled most of my possessions.
For now there is still poetry
"Among the pieces, trembling softly but perceptibly, like a sleeping bird, there throbbed, mysteriously, a compass." ― Jorge Luis Borges, Tlön, Uqbar, Orbis Tertius
Photographs can depict both the intimate and the infinite. They inspire wonder and possibilities and reveal new questions.
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"Last Light/First Light" series
Last Light/First Light began on the West Coast of the United States. Serving as documentation of light and time, this series is the result of repeating an action each year. I try to create a double exposure on the shortest day of the year.
Photography and Dreams
"...The tides, when the Moon swung closer, rose so high nobody could hold them back. There were nights when the Moon was full and very, very low, and the tide was so high that the Moon missed a ducking in the sea by a hair's breadth; well, let's say a few yards anyway. Climb up on the Moon? Of course we did..."
― Italo Calvino, The Distance of the Moon
In 2023, I began making Salt Moons by soaking steel disks in ocean water, and photographing them at different stages in their transformation.
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Desire Lines, from the Pipelines and Permafrost series
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Rematriation, from the Pipelines and Permafrost series
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Retreat and Advance, from the Pipelines and Permafrost series